Double feature: Here’s a fun new game to play – which Best Picture Oscar winner about ego, aging, and Hollywood’s incursion into the New York theater world am I talking about: “Birdman” or “All About Eve”? Continue reading
Double feature: The prevailing genealogy of “Blue Jasmine” and its eponymous heroine involves “A Streetcar Named Desire,” the Madoffs, and the personality/mannerisms of a New York art gallery owner who came within Woody Allen’s ken. My personal theory involves the director (subconsciously?) crafting a take on the personality of, and everlastingly contentious end of his relationship with, Mia Farrow.
Double feature: “Felliniesque” has become shorthand for a kind of disjointed grace, with bizarre/ fantastical non-sequiturs and detours into characters’ mental landscapes, both dreaming and awake.
Double feature: Okay, so, “2001: A Space Odyssey” is set in space, while “Mon Oncle” takes place in a modernist home in the French suburbs. But both concern themselves with progress and evolution, contrasting the earthy warmth of the past with the chilly possibilities of the future.
Double feature: “Footnote” and “The Story of Qui Ju” are two films that explore the concept of advocacy. Both contrast characters who can’t, or won’t, stand up for themselves with relatives who defend their interests by proxy, often against their own. The former are partially motivated by pride and practicality, the latter by a sense of justice being violated.
Double feature: Here are two ravishingly beautiful, radiantly intelligent films whose beauty and brains are in large part due to their shared attention to the details of domestic life.