Double feature: Of course I am neither the first, nor will I be the last, to recommend “Boyhood.” But what I may be able to add is the observation that its exploration of time and existence is a uniquely American one.
How so? Continue reading
Double feature: If nothing else, “Nebraska” and “Late Spring” have in common the ability to serve as post-Fathers Day food for thought, inspiring reflections on the varieties and potentialities of father-child relationships. But the links connecting these two films go deeper than that.
Double feature: “Felliniesque” has become shorthand for a kind of disjointed grace, with bizarre/ fantastical non-sequiturs and detours into characters’ mental landscapes, both dreaming and awake.
Double feature: Okay, so, “2001: A Space Odyssey” is set in space, while “Mon Oncle” takes place in a modernist home in the French suburbs. But both concern themselves with progress and evolution, contrasting the earthy warmth of the past with the chilly possibilities of the future.
Double feature: Lots of films concern themselves with the “what” or “when” of action. “The Straight Story” and “The Swimmer” stand out, and link to each other, by placing their urgency on the “how.” Both center on protagonists who turn routine journeys into quests by dreaming up exquisitely particular, unconventional ways to get from point A to point B.