Double feature: Of course I am neither the first, nor will I be the last, to recommend “Boyhood.” But what I may be able to add is the observation that its exploration of time and existence is a uniquely American one.
How so? Continue reading
Double feature: A double feature of epics that will take the better part of a day to watch, the pairing of “Gandhi” and “Black Narcissus” provides ample fodder for considerations of dominion, overcoming, and the good/evil within us (i.e. whether one or both are inherent, and how each has the potential to conquer the other, if only temporarily).
Double feature: “Felliniesque” has become shorthand for a kind of disjointed grace, with bizarre/ fantastical non-sequiturs and detours into characters’ mental landscapes, both dreaming and awake.
Double feature: Goodness knows, “The Godfather” doesn’t need anything else written about it. And, of course, the natural, undeniable impulse is to follow any viewing of it with its own sequel/prequel. But for something less conventional and equally evocative, try double-featuring it with the 1970’s German TV production of Thomas Mann’s “Buddenbrooks” – another multi-generational saga with literary roots.
Double feature: Lots of films concern themselves with the “what” or “when” of action. “The Straight Story” and “The Swimmer” stand out, and link to each other, by placing their urgency on the “how.” Both center on protagonists who turn routine journeys into quests by dreaming up exquisitely particular, unconventional ways to get from point A to point B.
Double feature: Here are two ravishingly beautiful, radiantly intelligent films whose beauty and brains are in large part due to their shared attention to the details of domestic life.