Double feature: This one is, admittedly, a no-brainer. But how many apter double features for this time of year are there? Continue reading
Double feature: The prevailing genealogy of “Blue Jasmine” and its eponymous heroine involves “A Streetcar Named Desire,” the Madoffs, and the personality/mannerisms of a New York art gallery owner who came within Woody Allen’s ken. My personal theory involves the director (subconsciously?) crafting a take on the personality of, and everlastingly contentious end of his relationship with, Mia Farrow.
Double feature: If you live in a cold climate, it’s easy to feel stuck at this time of year. The temperatures aren’t exactly encouraging outdoor exploration. Things seem to have shrunk. The world feels reduced to a circumscribed bare minimum circuit between the same points A, B, and maybe C.
Double feature: The easy parallel between these two series is the quartet of shared archetypes leading up their respective casts. In both “The Golden Girls” and “Designing Women,” you’ll find: the sweet one (Rose, Charlene;) the brainy one (Dorothy, Julia;) the sexy one (Blanche, Suzanne;) and the quirky one (Sophia, Mary Jo.) Also, but less to the point, a semi-emasculated male drifting in and out of the frame (Stanley, Anthony.)
Double feature: Need help bidding farewell to summer? Try a double feature of “Almost Famous” and “Dirty Dancing.” Both films let you relive the thrill of warm weather escapades, then prepare you to wave goodbye to the season (wistfully, from the rear windshield of the tour bus/family station wagon) by pointing to the potential for good that lies further down the year’s road.