What Maisie Knew + About a Boy

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Double feature: “What Maisie Knew” and “About a Boy” are two low-key literary adaptations examining what, and how, two only children understand and absorb upheaval in their domestic lives. (Seasonally appropriate bonus points to “About a Boy” for easing viewers into the holiday season.)

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Blue Jasmine + Born Yesterday

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Double feature: The prevailing genealogy of “Blue Jasmine” and its eponymous heroine involves “A Streetcar Named Desire,” the Madoffs, and the personality/mannerisms of a New York art gallery owner who came within Woody Allen’s ken. My personal theory involves the director (subconsciously?) crafting a take on the personality of, and everlastingly contentious end of his relationship with, Mia Farrow.

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Friday Night Lights + My So-Called Life

Double feature:  Like your high school drama as self-serious and insular as possible? Then “Friday Night Lights” and “My So-Called Life” are for you.  Conversations in both series are at an emotional pitch where “small talk” is impossible, no matter how trivial the words being exchanged. Grainy images with near-bleeding colors give a sense of worlds simultaneously dissolving, or cohering, in every frame.

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