Double feature: Of course I am neither the first, nor will I be the last, to recommend “Boyhood.” But what I may be able to add is the observation that its exploration of time and existence is a uniquely American one.
How so? Continue reading
Double feature: The perfect pairing for the (unofficial) last weekend of summer – “Before Midnight” and “Claire’s Knee.” Why? It’s not just that both are set, either all or in part, during summer’s end. It’s that, in a larger sense, the two films are structured around, and brim over with, markers of time.