Double feature: Here’s a fun new game to play – which Best Picture Oscar winner about ego, aging, and Hollywood’s incursion into the New York theater world am I talking about: “Birdman” or “All About Eve”? Continue reading
Double feature: This one is, admittedly, a no-brainer. But how many apter double features for this time of year are there? Continue reading
Double feature: “What Maisie Knew” and “About a Boy” are two low-key literary adaptations examining what, and how, two only children understand and absorb upheaval in their domestic lives. (Seasonally appropriate bonus points to “About a Boy” for easing viewers into the holiday season.)
Double feature: When “Frances Ha” came out, many reviewers hung their claims for its distinction on the fact that its heroine was a young woman, and yet its narrative had essentially nothing to do with that young woman’s love life. Presumably, this separated it from the pile of marriage-plot driven romantic comedies with women in the lead, a pile in which “Bridget Jones’s Diary” stands honorably near the top.
Double feature: These two films are essentially mirror images of each other. Their plots are the same – a worldly schemer attempts a romantic con on a wealthy but naive amateur biologist; a series of witty, swanky hijinks ensue. But in “A New Leaf” the “mark” is female, whereas “The Lady Eve” reverses the gender assignment –and that makes all the difference.
Double feature: The prevailing genealogy of “Blue Jasmine” and its eponymous heroine involves “A Streetcar Named Desire,” the Madoffs, and the personality/mannerisms of a New York art gallery owner who came within Woody Allen’s ken. My personal theory involves the director (subconsciously?) crafting a take on the personality of, and everlastingly contentious end of his relationship with, Mia Farrow.
Double feature: Goodness knows, “The Godfather” doesn’t need anything else written about it. And, of course, the natural, undeniable impulse is to follow any viewing of it with its own sequel/prequel. But for something less conventional and equally evocative, try double-featuring it with the 1970’s German TV production of Thomas Mann’s “Buddenbrooks” – another multi-generational saga with literary roots.