Gandhi + Black Narcissus

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Double feature: A double feature of epics that will take the better part of a day to watch, the pairing of “Gandhi” and “Black Narcissus” provides ample fodder for considerations of dominion, overcoming, and the good/evil within us (i.e. whether one or both are inherent, and how each has the potential to conquer the other, if only temporarily).

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Blue Jasmine + Born Yesterday

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Double feature: The prevailing genealogy of “Blue Jasmine” and its eponymous heroine involves “A Streetcar Named Desire,” the Madoffs, and the personality/mannerisms of a New York art gallery owner who came within Woody Allen’s ken. My personal theory involves the director (subconsciously?) crafting a take on the personality of, and everlastingly contentious end of his relationship with, Mia Farrow.

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Buddenbrooks + The Godfather

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Double feature: Goodness knows, “The Godfather” doesn’t need anything else written about it. And, of course, the natural, undeniable impulse is to follow any viewing of it with its own sequel/prequel. But for something less conventional and equally evocative, try double-featuring it with the 1970’s German TV production of Thomas Mann’s “Buddenbrooks” – another multi-generational saga with literary roots.

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Bill Cunningham New York + Michael Clayton

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Double feature: “I’m not the enemy,” the eponymous protagonist of “Michael Clayton” tells his unravelling coworker in an attempt to distance himself from the compromising agenda of his profession.  The latter, not skipping a beat, shoots back: “Then who are you?”  It is this exchange – the sharpest in a film of sharp exchanges – that links “Michael Clayton” to the endearing and moving documentary “Bill Cunningham New York.”

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