Double feature: The prevailing genealogy of “Blue Jasmine” and its eponymous heroine involves “A Streetcar Named Desire,” the Madoffs, and the personality/mannerisms of a New York art gallery owner who came within Woody Allen’s ken. My personal theory involves the director (subconsciously?) crafting a take on the personality of, and everlastingly contentious end of his relationship with, Mia Farrow.
Double feature: There isn’t much to argue about/with the assertion that New York is a city of cultural, as well as financial, wealth. The enviably literate, well-spoken characters in “The Last Days of Disco” and “Hannah and Her Sisters” are socially and temperamentally positioned to take advantage of both. In traveling the seams where money, art, breeding, and beauty meet in various combinations, they let us vicariously do so as well.